The Horror in Clay
Cobbling together an armature: Why I’m doing this the hard way...
There’s easier ways to do this... pre-built forms and armatures to sculpt on, metal meshes that hold shapes, materials specifically designed to be coated with clay. But we won’t be using any of that fun stuff on this project.
My work shop area is starting to be taken over by random screws, bits of wood, wire, foam, and general craft/project clutter. Rather than throw this stuff away, or attempt to organize it into a series of draws where it’s absolutely certain I’ll never look to find them again. I wanted to do a couple projects where I mostly use whatever I have on hand, and see if I can cheaply MacGyver something together.
Also I blew the art budget on making the zombie for my front yard. Way to put all my scary eggs in one basket.
Earlier in the month as the Halloween decorations were starting to creep out I saw a gargoyle holding a small candle lantern. My what helpful little gargoyles I thought... not only keeping the tops of our gothic towers safe, but also well lit. But you know what would make this elaborate candle holder even more awesome? Cthulu.
As far as prolific bad guys go don't call it a come back. He's been here for years. Before there was Voldemort, before there was Darth Vader, and yes you could argue even before there was that big flaming eye tower with a taste for exotic jewelry there was H.P. Lovecraft’s Cthulu. Lord of R'lyeh. Horror of horrors. The ultimate big bad himself. A cross between a dragon, some bad sushi, and children’s nightmares.
As far as prolific bad guys go don't call it a come back. He's been here for years. Before there was Voldemort, before there was Darth Vader, and yes you could argue even before there was that big flaming eye tower with a taste for exotic jewelry there was H.P. Lovecraft’s Cthulu. Lord of R'lyeh. Horror of horrors. The ultimate big bad himself. A cross between a dragon, some bad sushi, and children’s nightmares.
Cobbling together an armature: Why I’m doing this the hard way...
There’s easier ways to do this... pre-built forms and armatures to sculpt on, metal meshes that hold shapes, materials specifically designed to be coated with clay. But we won’t be using any of that fun stuff on this project.
My work shop area is starting to be taken over by random screws, bits of wood, wire, foam, and general craft/project clutter. Rather than throw this stuff away, or attempt to organize it into a series of draws where it’s absolutely certain I’ll never look to find them again. I wanted to do a couple projects where I mostly use whatever I have on hand, and see if I can cheaply MacGyver something together.
Also I blew the art budget on making the zombie for my front yard. Way to put all my scary eggs in one basket.
Michelangelo once argued that the sculptures he made were there all along and he was just releasing them from the marble. Now just replace the finest Italian marble the Renaissance had to offer with cheap Styrofoam packaging material and you get the idea.
IKEA key wrenches - Man I’m going to feel really foolish when it comes time to move, and I need to disassemble that armoire.
MacGyverangelo’d
The destroyer of minds cares not for the sustainability of your crappy art projects. Previous Cthulu statues were built using orphan skeletons, and thousands of old non-biodegradable McDonald’s sandwich containers.
Red Bull it gives you...ah forget it...
Anybody else up for sushi?
Yes it’s true... Cthulu’s a Cylon.
Getting back to basics
Now that I've got the armature built I'm not going to lie to you... Since I'd like to use the statue outdoors a plastic clay like Sculpty would probably be better suited for a project like this. If not sealed properly an air dried clay during a rain storm will melt faster than the Wicked Witch of the West. But I had an old bag of it lying around and I wanted to get all old school by using a clay that was essentially a fancy form of dirt.
We're going to start at the base of the statue and work our way up. Our first concern is to just get everything covered with clay. We'll build up areas and add detail later. We're at a about 4lbs of clay at this point.
Eventually I'm going to make one of the tentacles wrap around the arm holding the lantern for added support. I didn't exactly calculate the tinsel strength of the arm relative to the weight of the lantern. Worst case scenario if the lantern arm gives and falls off it'll take the whole head with it. Fortunately I'm not exactly building the lantern out of lead here.
This stuff is pretty easy to work with. It's about two steps up from play-dough
It almost looks like I know what I'm doing here
Blinging out the Cthulu
Creating some shiny red "beady" eyes by disassembling $2.00 plastic ear rings. Also originally I wanted to hang the lantern using some small metal chains. But I kept forgetting to check the junk jewelry section of the craft store for them. So a clipped section of a coat hanger will have to do. We'll paint it later and make it look fancy.
Looking at roughly 8lbs of clay... Man Cthulu's really let himself go since his old college football days.
I always feel like... somebodies watching meee....
Now we'll let this dry, and pray to the unspeakable horrors that dwell beneath the sea that it doesn't crack.
Cracked up
OMG THE CLAY CRACKED EVERYTHING IS RUINED FOREVER!
Well not really. But unfortunately this is pretty much par for the course when using this type of clay...
Part of the clay's mass is water. When the water evaporates the clay shrinks. If the clay doesn't dry slowly enough, dries unevenly, or doesn't have enough surface area to dry around it's armature then it cracks.
I'll be repairing the cracks by wetting things down again, and using pieces of moist clay to fill in gaps. Then we'll cover the statue in strips of wet newspaper and a plastic bag to let everything dry more slowly. If all else fails then plan B is always a combination of spackle/nail filler and super glue. Spackle/joint compound/nail filler are usually composed of some sort of gypsum mixture (basically plaster).
In some ways cracks early on are a good thing as it can tell you where the most stress is being put on the statue. If the lantern arm had more cracks in it I'd be concerned, but some of the more telling cracks pointed out that I need to do more work on the lantern itself, and the wings need some serious work.
Don't you fall apart on me you big squid... man-fish?
Cthulu demands only to be wrapped in the obituaries
Plan B
Well at least it cracked less this time... Time for a healthy dose of Spackle.
With the Spackle on we're going to gently sand things and smooth what we can out. I want to give it a stone like appearance so we can keep some imperfections.
Fixes holes, smooths sheetrock walls, repairs statues of unearthly horrors far beyond human comprehension
Priming and Stoning
First step is to cover everything with a couple coats of white primer. Then black and gray spray paint to serve as a base. To give the appearance of stone we'll be trying our luck with a cheap stone textured spray paint.
Every day I find a new use for the 6 gallons of white primer I originally bought to paint the house
hmmm stone-ish...
Faux Masonry
I'm not getting the effect I want out the budget stone spray paint I'm using (probably should have sprung for the more textured stuff) so I'll be adding my own shading and marbling effects to give it more dimension.
First we outline the crevices with black and blend it into the stone. Next the marbling technique I'll be doing is no different from how you'd marble or sponge paint a room in your house. I mix together a transparent glaze with some gray/green latex paint in a 3 to 1 ratio. The biggest mistake people make with texture effects is not using a mixing glaze.
Glaze slows the rate in which the paint dries (giving you time to work with it), and adds some transparency to the paint (which lets you smoothly blend it in with the base coat). Unfortunately skipping the mixing glaze is the reason why you see rooms "sponge" painted like they used dirty diapers as their applicator of choice.
No really... looks great...
The method here involves painting small sections of the statue with the glaze mix then using a balled up rag to quickly dab and remove some of the paint leaving behind a pattern. Alternate how the rag is held and balled up to avoid repetitious patterns. Overlap your painting area so there are no seems. Then we'll go back with a tiny brush to highlight some of the "veining" we're going for if need be.
Looks a bit more like stone with the shading at least. The mascara really brings out his eyes.
Marble effects... Wax on. Wax off. It's that simple.
The not quite green lantern
I've used gold "rub n buff" (metallic wax compound) on the lantern frame to make it look like I didn't just ruin a coat hanger to make this. I've also taken a cheap glass votive holder and lightly frosted it with gray spray paint. Then we drip some melted wax all over the place to look like Cthulu has been lighting paths for at least a little while.
Ph'nglui mglw'nafh Cthulhu R'lyeh wgah'nagl fhtagn!
*cough* *cough* sorry had to clear my throat for a minute there...
[Obligatory "Need a light?" joke goes here]
Aftermath:
I think I'm done with air dried clay for now. The biggest benefit is your armature can be made out of pretty much anything (like foam and craft junk) rather then only oven friendly items like foil, wire, and metal. Likewise I don't have to measure my oven door to make sure the ridiculous thing will fit. In the future I may try building larger sculptures out of polymer clay in separate pieces then gluing them into a finished product after baking.
I think my armature was too bulky for this project and contributed to much of the cracking. Due to the general amount of shrinkage I think air dried clay is really tough on armatures.
Freestanding wings are difficult. Cracked all over the place. Be prepared to fly high on wings of Spackle and glue.
When building a 10lb statue with big breakable wings and a lighting implement remember to put a layer of cork or felt under the statue's base BEFORE you build it out rather then finagling a protective layer on the statue's bottom almost entirely after the fact. Whoops...
The finished product is sturdy but it's extremities are still reasonably fragile. When not scaring small children on Halloween I need to put this statue in a place where the cat's can't topple a dark god. I don't know which is more evil cats, or Cthulu...